[1080p] Master and Commander: Til verdens ende (2003) Download Full

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You can view an extensive beskrivelse af Master and Commander: Til verdens ende nedenfor:
  • Original titel : Master and Commander: The Far Side of the World
  • Film titel : Master and Commander: Til verdens ende
  • År for film : 2003
  • Genrer af film : Eventyr,
  • Status for film : Released
  • Udgivelsesdato for film : 2003-11-14
  • Virksomheder af film : Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax,
  • Landene i film : United States of America,
  • Sprog af film : Français, Português, English,
  • Varighed film : 120 Min
  • Gennemsnitlig stemme af film : 6.9
  • Youtube ID film : 4wDVf5Tkc88
  • Oversættelse af film : DA,EN,DE,IT,ES,RU,FI,PT,ZH,SV,PL,TH,RO,UK,HE,FR,EL,PT,TR,HU,CS,NL,BG,
  • Cast af film :John DeSantis (Padeen), Richard Pates (Williamson), David Threlfall (Preserved Killick), Ian Mercer (Mr. Hollar), Patrick Gallagher (Awkward Davies), Bryan Dick (Joseph Nagle), Richard McCabe (Mr. Higgins), Billy Boyd (Barrent Bonden), Cpt. of Mizzentop), Joseph Morgan (William Warley, Edward Woodall (2nd Lt. William Mowett), Alex Palmer (Nehemiah Slade), Max Benitz (Calamy), Ousmane Thiam (Black Bill), Mark Lewis Jones (Mr. Hogg), James D'Arcy (1st Lt. Tom Pullings), Thierry Segall (French Captain), Max Pirkis (Blakeney), Russell Crowe (Captain Jack Aubrey), Chris Larkin (Capt. Howard), Paul Bettany (Dr. Stephen Maturin), William Mannering (Faster Doudle), Jack Randall (Boyle), George Innes (Joe Plaice), Tony Dolan (Mr. Lamb), Lee Ingleby (Hollom), Robert Pugh (Mr. Allen)

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Master and Commander: Til verdens ende method to stay film excreted by Universal Pictures, Twentieth Century Fox Film Corporation, Samuel Goldwyn Films, Miramax, with the use of a beskrivelse af filmen er "Jack Aubrey er kaptajn på den stolte skude "Surprise". Da skibet bliver angrebet af et fjendtligt krigsskib sætter Jack alle sejl til for at matche sin modstander. Det bliver til en jagt tværs over oceaner og med store omkostninger for både skib og besætning.". Filmen er produceret med fremragende grafisk kvalitet, bedste ear busting sound quality and best bedste skuespillere.

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Rigging Gaffer : Stephen Johnstone, Lighting Technician : Derick Pritchard, Visual Effects Supervisor : Mitchell S. Drain, Novel : Patrick O'Brian, Art Direction : Héctor Romero, Co-Producer : Harvey Weinstein, Translator : Quincy Perkins, Co-Producer : Todd Arnow, Visual Effects Supervisor : Stefen Fangmeier, Script Supervisor : Brenda Lopez, Original Music Composer : Christopher Gordon, Screenplay : John Collee, Storyboard : David Russell, Casting Associate : Nicole Hilliard-Forde, Production Sound Mixer : Art Rochester, Loader : Sal Alvarez, Researcher : Brice Criswell, Gaffer : David Lee, Art Direction : Marco Niro, Visual Effects Producer : Julia Frey, Music Editor : Simon Leadley, Executive Visual Effects Producer : Blondel Aidoo, Sound Designer : Richard King, Helicopter Camera : Phil Pastuhov, Lighting Artist : Michael Sean Foley, Telecine Colorist : Eric Putz, Transportation Captain : Wayne Stone, Director of Photography : Russell Boyd, Post Production Assistant : Sassica Francis-Bruce, Casting : Mary Selway, Hair Department Head : Yolanda Toussieng, Set Designer : Bill Hiney, Producer : Duncan Henderson, Foley : Nancy Parker, Stunt Coordinator : Daniel W. Barringer, Special Effects Coordinator : Daniel Sudick, Art Direction : Mark W. Mansbridge, Stand In : David Oliver, Production Design : William Sandell, Script Supervisor : Wilma Garscadden-Gahret, Camera Operator : Matthew J. Siegel, Original Music Composer : Iva Davies, Costume Design : Wendy Stites, Visual Effects Producer : Helen Elswit, Best Boy Electric : Rick Maddux, Set Medic : Jeffrey D. Stevens, Driver : Tom Gilhooley, Makeup Artist : Robin Beauchesne, 3D Supervisor : Christopher Bonnstetter, Makeup Department Head : Edouard F. Henriques, Post-Production Manager : Patrick Esposito, Editor : Lee Smith, Costume Supervisor : Dawn Y. Line, Color Timer : Jim Passon, Sound Re-Recording Mixer : Doug Hemphill, Hairstylist : Edith I. Amezcua, Assistant Director : Alan B. Curtiss, Digital Intermediate : Hilda Saffari, Electrician : Willie E. Dawkins, Sequence Supervisor : Jay Cooper, Production Illustrator : Daren Dochterman, Steadicam Operator : Harry K. Garvin, Producer : Samuel Goldwyn Jr., Scoring Mixer : Robert Fernandez, Studio Teachers : Judith M. Brown, Stunts : Joey Anaya, Utility Stunts : Mitch Toles, Production Accountant : Jen Hutchinson, Construction Foreman : James Arrigo, Digital Effects Supervisor : David Ebner, Rigging Grip : Oscar Gomez, Technical Supervisor : Brian Gee, Propmaker : Bobby Mara, Boom Operator : Jeffrey A. Humphreys, Set Decoration : Robert Gould, Set Designer : Mark Hitchler, Digital Compositors : Kathleen Beeler, Set Dressing Artist : Giovanni Bianchini, Co-Producer : Bob Weinstein, Seamstress : Marcelina Barraza, Unit Publicist : Sandy O'Neill, Set Costumer : Javier Arrieta, Art Department Coordinator : Gerald Lehtola, Camera Operator : Guillermo Rosas, Assistant Art Director : Kevin Ishioka, Dialect Coach : Judy Dickerson, Set Dressing Supervisor : Jennifer Lewicki, Sound Recordist : Tim Gomillion, Location Manager : Michael John Meehan, Construction Coordinator : Gary Deaton, Video Assist Operator : Adam Barth, Post Production Supervisor : Jeffrey Harlacker, Unit Manager : Rafael Cuervo, Quality Control Supervisor : Timothy Michael Cairns, Sound Effects Editor : Michael W. Mitchell, Camera Operator : Martha Susana Ramos, Producer : Peter Weir, Set Designer : Carlos Benassini, Production Office Coordinator : Derek Jan Vermaas, Transportation Coordinator : Russell McEntyre, Visual Effects Producer : Stephanie Hornish, Art Direction : Bruce Crone, Grip : Chris Centrella, Set Production Assistant : Heather Anderson, Dialogue Editor : Hugo Weng, Set Designer : Manuel Martínez, Thanks : Christopher Terrill, Projection : Larry Hoki, Camera Operator : George Billinger III, Still Photographer : Stephen Vaughan, Stunt Coordinator : Doug Coleman, Visual Effects Coordinator : Kimberly Adams, Makeup Effects : Gabriel De Cunto, Layout : Dani Morrow, Production Coordinator : Andy Foster, Screenplay : Peter Weir, Sound Re-Recording Mixer : Paul Massey, First Assistant Editor : John Lee, Camera Operator : Don Reddy, Craft Service : Orlando Chongo, Second Unit Cinematographer : David R. Ellis, Studio Teachers : Maxine Arbarbara, Visual Effects Editor : Kosta Saric, Original Music Composer : Richard Tognetti, I/O Supervisor : Brian Cuscino, Line Producer : Bridget Bourke, Casting : Fiona Weir, Set Designer : Nick Navarro, Co-Producer : Meyer Gottlieb, Property Master : Doug Harlocker, Unit Production Manager : Todd Arnow, Visual Effects Editor : Tom Barrett, Armorer : Steve Auvenshine, Dolby Consultant : Andy Potvin, First Assistant Camera : Robert Hill, Standby Painter : Anthony Gaudio, Leadman : Christopher Neely, First Assistant Sound Editor : Linda Yeaney, Visual Effects Supervisor : Pablo Helman, Director : Peter Weir, Camera Operator : Jamie Barber, Foley : Gary A. Hecker, Visual Effects Producer : Jeff Werner, Executive Producer : Alan B. Curtiss
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